The Truants is a coming of age story with a twist, telling the experience of Jess Walker’s first year as a student at the fictionalized University of East Anglia. Jess studies English Literature and enrolls herself on an Agatha Christie course, immediately finding herself enthralled by the subject, as well as the expert in the field, Professor Lorna Clay. Jess becomes friends with a group of uninitiated, carefree students, including falling for Alec, an ex student and current journalist.
Genres: Mystery, Suspense, Coming of Age, Literary Fiction
My rating: ★★★★☆
This book echoes the reverberated student scene of carefree days drinking in pub gardens and ignoring academic responsibilities. As the closeness of Jess’ relationship with Lorna unfolds, the mystery involving Alec starts to appear before the readers’ eyes.
Jess cannot help but be pulled in by the perplexing Alec. He is good looking, intelligent, but little does she know about his deeply troubled past. As a character, he is laced with toxicity, regret and past betrayal and takes it out on those who fall for him – a classic maverick disguised as a heart throb. Jess gets caught up in several disturbing love triangles, which serve to explore the realities of betrayal on a relationship and friendship basis. The lure of new love becomes her achilles’ heel as she is placed in the middle of a dark mystery of her own.
Something rather dark lurks beneath the seemingly picturesque portrayal of student life, which is discovered as the book progresses. Despite drawing so heavily on the works of Agatha Christie and her novels, this book is essentially its own mystery and a play on the psychology of relationships, seduction and betrayal. It combines a lot of different genres which I think is one of its selling points, it has elements of literary fiction, mystery and thriller, whilst being told within the coming of age paradigm. The feeling of suspense is naturally created early on in the book, which produces an unavoidable hook for the reader. The whole time I was reading I had a feeling of unease; but couldn’t help but read on. I was fascinated by the characters and wanted to see how everything would unfold.
I think the highlight of this book is in the complexity of the characters. The story only centers around a handful of individuals, but each are fundamentally flawed. This allows for the difficulties of coming of age to be realistically conveyed, with the exploration of problematic friendships and relationships. Jess, the protagonist, was particularly complex, and I was drawn to her insight. It is essentially a major portrayal of character development and exploring the dark incidents that lay within her experience at university.
That said, I did think the play on the mystery was to a certain extent cliche. Not being familiar with Agatha Christie’s writing, I can’t comment on the full exploration of this – and there may be things I missed. Critique’s and readers alike have drawn similarities between this and Donna Tartt’s The Secret History, being an avid fan of that novel, I fail to see the comparison aside from the theme of ‘dark academia.’ I found the language in this underdeveloped and simplistic at times, whereas Tartt’s writing is wonderfully crafted, with layers of intricacy. In some ways, I think this book tries too hard. I got the sense it was trying to aestheticize student suffering within the framework of academic life. There are many troubling scenes and dark elements to the book, some are explored well, but others rather flippantly.
However, I very much enjoyed reading this and would recommend it to anyone. It combines so many genres, is full of complex characters and a sense of unrelenting intrigue. It grabbed me from the start and left me hooked, for that alone I would say it is very commendable.
A big thank you to Net Galley and Bloomsbury Publishing for giving me an e-arc copy to review. Please note however, this does not influence my review in any way.